sam：因?yàn)楦星槭菦]有辦法解釋的。于是乎有了這么多的男人愛女人，女人愛男人，男人愛男人，女人愛女人，真女人愛假女人，假女人愛假男人等的故事。方艷梅：因?yàn)樽x開，可以把這個(gè)地方看久一點(diǎn)。既然舍不得，為何要離開。。sam：如果今天我們不給自己一個(gè)機(jī)會，明天我們怎么知道我們不會在一起

此片滿足了我對爛片的一切想象

就娛樂體驗(yàn)和開放結(jié)局來看，還不錯(cuò)

I was expecting something properly controversial here with all that fuss, instead I saw the safest, perhaps most unoriginal way of making fun of the Nazis. Scarlett Johansson's character, with a perception that's clearly modern and new, is completely out of place. The entire Nazi environment depicted in the film was made up purely of the writer's tabloid, superficial (mis)understandings of Nazism. Filled with hackneyed symbolism and plain kitsch, there's absolutely nothing bold or adventurous in this film (the only 'good' nazi has to be a gay, how surprising). Anyone who says this film works against political correctness doesn't know the first thing about contemporary politics.

這么看的話，好萊塢這些年也沒進(jìn)步多少